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SXSW 2012: Part 2 of 2

The first half of SXSW 2012 was pretty amazing as evidenced in the previous post.  We had already hung mad banners, traversed endless blocks 5 times over, and witnessed some amazing shows where we shelved the camera in addition of a back break and freedom to move a little slicker through crowds. One of these shows was Warner Brothers amazing showcase headlined by Mofoz fam and Austin native Gary Clark Jr. Gary and his band continuously amaze me with every show we witness. Gary was fresh from a round of shows including the White House, private events countrywide, as well as a schlew of sold out shows virtually everywhere these Austin representers set foot. I could write all day about the amazing songwriting of Gary’s, just as easily as I could write about his vocal range which ranges from panty-dropping Motown swooning to full out swinging rock; however, Gary’s brilliance is in his ability to make the guitar his bitch. During the Warner Brothers showcase,  he did just that. He and his tightknit band jammed a break where Gary commanded his six stringed Gibson into fits of scratching sounds that would have given the most respected turntablists a run for their money.  Being no stranger to hip hop, Gary lends his talents on Phranchyze‘s latest project S.T.A.R.S on a song called “Be Here”.

We woke up the next day to meet up with our good friends and make it happen brethren, Moshe of Hour Band , as well as  Chris and Shane of Electric Touch.  Chris and Shane were up bright and early to perform a few acoustic songs for Austin’s KXAN morning show to promote their much anticipated new album,” Never Look Back” which features fan favorite “Dont Stop”. Electric Touch has recently toured with Evanescence and is currently on the road with Hot Chelle Rae.

Anchorman 2.

Chris of Electric Touch hanging at the KXAN studios.

Moshe Mosh holding it down.

From the studio we hightailed it to downtown for the S-O-TERIK showcase that ET was playing at and debuting a new signature tee from the clothing company. S-O-Terik has been a strong supporter of the band as evidenced by the nice magazine ads in JUXTAPOZ. The company’s party showcased some of the great tees , as well as a lot of space and paint open for artists or would be artists to use and express themselves. We had a chance to meet a lot of the great artists and talents involved with S-O-TERIK and really dig the approach they are taking in creating apparel as well as marketing their products…pretty much being real with it.

From there we went back to the HQ Hotwire Unlimited office to take a breather and catch up with our friend and Houston MC, Perseph One who was in town to blaze a SXSW showcase later in the day. We both watched this 6th street showcase for a good 45 minutes from the window. This was actually one of my more memorable SXSW shows and it was the most unofficial and unconventional shows I’ve ever witnessed. I don’t even know who the band was but they did it up right, brought a generator and just started plugging in. any other week of the year these guys would have probably been tasered by the APD, but this was SXSW and they just let it ride. The band played what seemed like a full set. From song to song passerbyers took time to check out the music, some stayed, others danced, some took pics while others even circled the band real Jaws-like continuously on inline skates, while others even displayed some great break dance skills. Long story short, you are standing on a stage; and even if bands do not have corporate backing, large show promotion, slick booking agents, or roadies there is always a chance that a little ingenuity in addition to good music can and does transcend into the masses. Sure, I didn’t catch there names but I witnessed a line of people after the show waiting to talk to the band and network with them.

Here on the other hand, there was a crazy ass line to attend an early day Gary Clark Jr show at the MOG showcase at the newly renovated Mohawk. This line did a somewhat U-shape into Red River…

…and well down the adjoining block.

Heres Gary getting his guitar on in a barely salvageable photo.

Gary Clark Jr and band at the Mohawk.

I like this photo because you can see our friend Chris from Electric Touch chilling front stage style.

This kid thoroughly enjoyed the show also…he actually started dancing nuts as Gary soloed.

Immediately after Gary’s dazzling set, we traversed into the inside stage at The Mohawk with Phranchyze and our friend Jessica who was raving about a femcee named K-Flay. Jessica had already seen  2 of K-Flay’s showcases earlier in the week; this marked her 3rd and I believe she was also planning on seeing a 4th set later in the day. K- Flay gave a great performance that showcased her dynamic skills on the MPC as well as her poignant lyrics she delivered in an almost Eyedea-like rapid fire but with a more Atmosphere like sound. I dug that she had a drummer also to keep the music organic, this was one of my favorite sets during SXSW and I look forward to catching this rising MC again if given the chance. Also, she has a really cheeky website.

K-Flay at SXSW 2012

The Roots. The Legendary Roots. The Legendary Roots Crew. This was by far one of the best examples of musicianship displayed at SXSW 2012….and that says a hell of a lot. Black Thought is one of the most underrated emcess in the rap game, and although they do enjoy a great chunk of mainstream success, they still make music that talks to real people and talks on real topics.  The professionalism and showmanship of this band should be heralded in the music industry always and continuously over some of the horrible excuses for shows some of the top rappers in the game put there fans through.

This sousaphone player brought it to the crowd to make sure he was heard.

The Roots at SXSW 2012…thats DJ Jazzy Jeff in the back who was welcomed on stage for a percussion jam with Q-Tip and the band.

SXSW is not all about the concerts, there is a fair amount of great panelist and speakers that present and talk on every possible aspect of the music industry. We caught a session with Nas…but left out early due to the slow talking, mostly boring interview that literally had me falling asleep. In his defense, this was almost a full week into a very busy SXSW.

Another surefire SXSW staple is the Austin clothing company MadGods. MadGods represented their brand and art along with fellow Austin clothing brand ,33 and a 1/3, with a downtown pop up store offering fresh threads to style hungry SXSW’ers. The pop up store also featured live artwork throughout the week as well as a small art gallery housed in the pop up shop.

All in all, SXSW 2012 kicked much ass.

 

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SXSW 2012: Part 1 of 2

atxtakeover

 

What is to be said about our favorite interactive, movie, and music festival that has not been said already. It was FUCKING INSANE this year.

I believe 2011 was the year that Interactive and Movie portion had a larger attendance and presence then the later in the week Music festival; however, it seems 2012 was the year that meshed all aspects of the festival into a flavorful week long party gumbo. The industries emerge and work together more and more seamlessly every day through and because of changes in technology, consumer behavior, and marketing.

It is only fitting that the Music portion of the festival seemingly started earlier this year clearly evidenced by perhaps the biggest hyped concert of the festival, the American Express Jay-Z show, which was actually part of the Interactive festival. Way to go hype beasts, you guys eagerly joined into the concert by tweeting an AMEX hashtag…kudos to the marketing geniuses behind that one.  AMEX sonned most of the corporate parties during interactive with this lil charade. This was just the first over the top promotions that went on throughout the strenuously awesome week…seriously,we are seasoned SXSW’ers, and by Wednesday it seemed like Saturday. Notable over the top promotions included a huge 3 tiered Doritos stage that shadowed parts of downtown with its super vending machine presence, as well as lasers and fog machines placed over 6th street so that you felt like you couldn’t even escape the clubs by going on to the streets for a breather. Nike also commandeered a good downtown block to build an LED lit wall that made parts of Austin feel very Las Vegas at night as the glow of Nike Ads gave everyone around a glowing aura. This was done in part to promote some new shit they made, some fitness bracelet of some sort. We also liked that they built a skate ramp, basketball court and other activities for SXSW’ers to take part in, you know just in case the walking and drinking all day was not fitness enough for them.

Austin’s hometown buzz act Gary Clark Jr pretty much rocked SXSW and was the act to catch during the week. Gary and his band played something like 2-3 showcases a day throughout the week including high profile shows like headlining the Warner Brothers showcase, Rolling Stones showcase, MTV Woody awards, MOG showcase and more.

As big as rock was with Rick “the Boss” Springstein’s show being the big hullaballoo of all the older “industry types; this year was undoubtedly the year of hip hop. Seemingly every player in the hip hop industry from indie to mainstream was in Austin for a showcase or just to take in the circus. The big names like Lil Wayne, T.I., Busta Rhymes, Snoop Dogg, Eminem, 50 Cent and Rick Ross  got a lot of mainstream fans into downtown to wait in the craziest lines for a chance to see their favorite hitmakers.

Meanwhile the more seasoned listeners, diggers, and trendsetters perched into some still crazy, yet way more tangible lines for a chance to catch those acts that are buzzing and underneath the radar of most.  SXSW, afterall, originates as a festival for the little guys, the emerging bands, the music that needs discovering, and I wholly think that it still is. I always have the best time seeing buzz acts that are hungry and still believe in the musicality , and the performance, those that do not forget their own lyrics (50 Cent) or use recorded backing vocals (Eminem) for their performance…but maybe thats just me.

Heres some pics of the first half of the week.

New York’s I Am Many put it down real hungry MC-like. Performances like his ensured that the over hyped commercial MC’s were not the only ones being heard during SXSW. Twitter.com/therealiammany

Nice Kicks and Vans had a nice little pop up shop on 6th street dedicated to classic vinyl albums and re-issued band Vans like these kick ass Iron Maiden sneakers. twitter.com/nicekicks

Parker with his sweet 5 on it tee and Jaysin catching the Electric Touch show. Parker’s closet also holds a Shock G “Humpty Hump” tour jacket that he may have worn if it was a bit cooler out.

We kicked it with the homie JaysinLivedHere who has recently released his EP, “Here’s to the Firing Squad”. The EP also features videos for every song on the project being released to the public on every Friday. TGIF. twitter:jaysinlivedhere

Here’s Table Manners Crew, Kid Slyce making sure that the beats are up and the dance floor is in full swing. Slyce DJ’s for most of Phranchyze’s sets as well.

Here’s Legit Rhythm’s doing their thing. This is proof you don’t need a huge budget to push your music and brand at SXSW; just a good friend some cardboard , markers, and tape. This walking photo opportunity was mad busy as we met with them along the busy 5th street traffic.

Austin’s League of Extraordinary G’z were definitely all over the place throughout the week. The celebrated Austin crew were catching love everywhere they went.

Here is some more proof that big budget marketing does not always win, sometimes it just take some ingenuity and a dolly. This mobile projection rig was complete with a full PA so that anywhere these guys stopped to project was also accompanied with great sound.

Nice Kicks

Phranchyze doing what he does. This was from the first of his many showcases during the week. Phranchyze just released his latest album “S.T.A.R.S” and was using the popular music festival as an outlet to promote the new project. twitter:phranchyze

Cool wheat-pasted street art was all over the downtown area during SXSW, this is one of our favorite images on the trendy new east side.

..and stickers.

Sole

Rockwell 9000  is the man when it comes to scratching, heres a close up of his hands at work. twitter:rockwell9000

Here’s an impromptu cypher taking place on 6th street.

SX street art.

SxStreetArt

more SxStreetart

We met Houston femcee Tawn P  at the W hotel as she was promoting her latest project “The Next Phase” Twitter:@Tawn_P

Theorem, and thats Geezey back their photobombing. repect.

Austin’s Zeale putting it down. Zeale’s rejuvenated set includes a live drummer as well as super cuts by DJ Rockwell 9000. twitter:@zeale

Grieves.

The homie Maldonado taking a breather from the busy Austin streets.

Mr Muthafuckin Exquire was perhaps one of the biggest hip hop buzz acts this year at SXSW, we saw a few of his performances, one was neutered by APD and noise ordinances, the one later in the week was just a short excuse for a performance; however, he did manage to salvage his name as he accompanied EL-P on a heater of a set at the Thrasher showcase.

Karthik and Moshe of Hour Band lounging at the Hotwire Unlimited office. Hour Band just released their latest album “Only” and are fresh from a show in NY with Phranchyze and a sold out San Antonio show with Gary Clark Jr.  Make sure to check out their website as well, as they took the time to offer their fans a real cool interactive experience. Twitter:@hourband

This was an example of one of the rap cyphers taking place on 6th street.

Cool Andy Warhol mural

Anyone that wanted to could don a brush and paint a little something on these walls.

Bobba Fett patrolling the busy SXSW streets.

Calm Child is a crew that’s really putting it down for Austin. The crew hosts a weekly hip hop night that is growing into a great haven for underground MC’s and acts.

Here’s DJ Baby Chino who is marketed as the World’s youngest DJ. He was mixing at a  local clothing store.

Heres a photo from one of the first Electric Touch shows we went to in the week. Electric Touch just dropped a new album on Island called “Never Look Back” which features some of the catchiest songs you will hear this year. Twitter:@electrictouch

Grieves and Budo also proved positive that you do not need a corporate backing in order to get a full crowd on their feet and putting their hands in the air. This exceptional duo entertained a full club with true musicianship and crowd control. Twitter:@grievesmusic and @budo

This dude’s name was Moneybags, aside from his awesome hello kittie onesie, he pretty much bullied folk into putting money into his bag. do work.

Being that it was early in the week, i forgot this MC’s name, but he did put on a dynamic set…anyays, wish i had more iinfo for you on him, but whatever. PART 2 of SXSW posting coming soon.

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Electric Touch new video “Don’t Stop”

You may have seen or heard them at this past summer’s Warped Tour, or maybe were jamming with them as they graced the stages at Lollopallooza or Austin City Limits festivals, either way rock band, Electric Touch has been putting in a lot of work to become one of Austin’s fastest rising music acts. The Island Def Jam Music Group signed rockers visited New York a few months ago to shoot the video for their newest single “Don’t Stop”. This song is one of the most catchy songs we have crossed paths with in some time, and we thought we’d share it with you. Enjoy.

If you are digging this tune, you can pick up a digital copy of their EP on Itunes here.

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ACL Austin City Limits 2011

Another ACL season brewing in Austin. I can tell this by the general interest in wall posts and timeline discussions by friends or internet connects located everywhere but Austin. Austin’s biggest and maybe most prolific weekend festival I feel doesn’t generate so much excitement within the usual Austin music community. I feel ACL is for the  superfans or the type of music fan that only goes to festivals and throughout the year misses the tons of great local and regional touring acts that bless this city on a daily basis. I also presume it may have something to do with the cost of ticket prices, or maybe the fact that you can catch most of the great ACL acts at after parties and secret shows for a fraction of the cost and a whole lot of convenience.Either way, its a great idea to go out in Austin this week and support some great musicians no matter the size of the stage. Here’s some information about the festival and the afterparties.

It is impossible to ignore the festival’s impact on the city -  the city does seem to turn into a party atmosphere going into the weekend in a quickfire (no disrespect) way that not even SXSW does. SXSW is like instead a slower, more exciting, year long build in hype, whereas ACL is like the broseph festival that takes shots of Jager to get the day started. The usually rock…classic rock heavy festival this year however, actually seems to have a pretty fair lineup for a hip hop/soul fan this year I mean Stevie Wonder..STEVIE WONDER headlining…thats going to be coke classic. Then thrown in for good measure C3 has also gathered Kanye West, Nas and Damian Marley, Cee Lo, Big Boi, Aloe Blacc and the Grand Scheme, Chiddy Bang and others. This is all fine and good,  but kudos to them for having some legitimate Austin acts that are on the verge of stardom in soulstress Susanna Choffel, rockers Electric Touch, and soul.bluesman Gary Clark Jr.

Gary Clark Jr to most of the music industry right now has been an overnight success. Yes, Gary has recently recieved 4 Stars in Rolling Stone for his Warner Brothers debut 4 song EP, yes, that was Gary who stole the show at Eric Clapton’s Crossroads Guitar festival, Yes, that was Gary you saw jamming with the legendary Roots crew a few weeks ago on the Jimmy Fallon Show, and yes, that is the same Gary that is selling out shows seemingly everywhere he goes from the US to Canada to wherever hes going next…..but, most Austinites will remember the years that Gary has put in playing in probably every venue in Austin alongside legends and amateurs alike. I first saw Gary at a happy hour probably about 6 or 7 years ago at the The Continental Club on SoCo and at that point was amazed by the versatility in range that the musician can access and dominate songs genre to genre. I believe he was doing a Cody Chessnutt cover at that time, and then went into some old blues right after all awhile mesmerizing the crowd with his insanely fast guitar hand.  Gary will ascend into ACL straight from months of touring to bless the festival with some magic I’m sure. Gary Clark Jr’s homecoming ACL set is on Friday September 16 at 6:30 on the BMI stage.

Gary will also be doing an official ACL after party at the legendary Antone’s that same night at 10:00 ($15-$17) -tickets available here. Get them quick. You can visit Gary Clark Jr’s Website here.


I first recall seeing Suzanna Choffel singing as part of the popular organic San Marcos hip hop band called Liquid Stereo Project..this had to b probably well over 10 years ago. Fast forward to today and she has grown into  a successful solo career who tours regionally and nationally as well as has recently headlined one of the popular Blues on the Green shows.  Suzanna’s voice is packed to the brim with soul and her songwriting is a fresh breath in the current state of music, as it is very personal and endearing. Choffel’s set should be on your list if you are attending ACL, she plays Sunday September 18 at 2:30 on the Austin Ventures stage. You can visit Suzanna Choffel’s website here.

Austin’s Electric Touch will also play the ACL fest. The Island recording artists who are working on their studio album have also just come back from an insane tour schedule in part to their duties during the east coast of Van’s Warped Tour, as well as their dazzling Lollapalooza set. ET’s brand of indie rock is a great listen and they are gathering quite the buzz lately with their new single “Don’t Stop” which is as catchy of a song as they come. Electric Touch will play on Friday at 3:45 on the Austin Ventures set. You can visit Electric Touch’s website here.

 

I’ve had a great time at every ACL Festival I’ve attended and stumbled somehow into, however, ACL is usually out of the average music goers reach- costwise and timewise, and thats where the afterparties come in- These are the sweet morsels of awesomeness that happen because tons of great acts from the festival are around to play and would rather get paid for playing a show then sitting up in a hotel room I imagine. These are more affordable…can you say $10 for Nas and Damian Marley, $20 for Big Boi with Phranchyze and Perseph, and $15-17 for Gary Clark Jr. These are where you wanna be.

Big Boi will be performing at Mohawk on Friday September 16th at 8:30. Joining the half of Outkast and performing will be Austin MC, Phranchyze who is fresh from an MC buffet at the Houston leg of the Red Bull EmSEE rap battles. Phranchyze will go on to the finals in Atlanta sometime in November to compete for the championship. Houston’s own Perseph One Gunz will also perform , she is a monster on the mic that sort of Aesop Rock’ish for lack of a better comparison. Big ups to Proper Entertainment, Knuckle Rumbler, and Attal Recordings for this one.


Nas and Damian Marley will also be playing on Friday, September 16th with DJ Green Lantern at the Haven. Tickets are $10  but you have tp RSVP on do512.com here is the link.

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